“If only everyone could afford therapy, the whole world would be healed,” announces Jonathan Groff, who plays an actor-caterer soon-to-be-father, and also plays a closeted homosexual in Craig Lucas’ The Singing Forest. The befuddling three-hour epic transports us from Y2K New York to Nazi-occupied Vienna and back again, but we’re going to need a little more than psychobabble and subtext to support grandiose claims and switches in time.
