Lights, Camera, Fire

“Striking!” The powerful light of the set lamp flares across the room as assistant director Jonathan Smith, a sophomore in CC, referred to simply as AD on set, works on diffusing the intensity using a sheet of heavy duty plastic gloves and some wooden clips. With the lighting looking good, everyone gets in place to shoot the first scene of the night in the Furnald third floor lounge. The boom mic is in place, the actors wait for their cues, and the camera is ready to roll as the crew readies for action.

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