As a foray into the lomography movement, street photographer Alex Chang captures Manhattan on a rainy day with a cheaply made plastic camera. He sacrifices sharpness and resolution for novelty by using a plastic lens. Plagued—or rather, blessed—with light leaks, vignetting, and blurriness, the camera presents a “dream- like” version of Manhattan.
By Sage Max
By Columbia Prison Divest
By Luke Barnes and Richard Whiddington