Reuben Berman is duly impressed by the consistency and creativity at the heart of KCST’s spring production of “The Tempest.”
An underwhelming adaptation doesn’t do justice to the more cerebral original in “Bullets Over Broadway.”
In his first show on Broadway, Cranston delivers with “All the way.”
Veteran actor Frank Langella carries a mediocre cast with a new production of “King Lear.”
The stage adaptation of Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner,” though a solid effort, doesn’t use its stage design as well as it could.
A new production of Rainer Werner Fassbinder’s “Katzelmacher,” can't live up to its ambitions.
The Foundry Theatre's production of “Good Person of Szechwan” would have impressed even the playwright.
Some things never get old, so long as they're done well, but Taymor's treatment of "A Midsummer's Night's Dream" is a little tired.
"Natasha, Pierre and the Great Comet of 1812" beautifully distills Tolstoy's "War and Peace."
Joshua Harmon's hilariously clever "Bad Jews" centers on a disputed inheritance.
Aug 18, 3:24pm
The Center for Student Advising announced changes to the policy regarding medical leave and readmission for Columbia College and School of Engineering and Applied Science students in an email earlier... Read More
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