Mon, Feb 21, 2005, 12:00am
The Lions battled the two best teams in the Ivy League down to the wire this weekend, but with four losses in its last five games and its Ivy title hopes all but gone, oh-so-close has become not good enough for the Light Blue.
Mon, Feb 21, 2005, 12:00am
With just a week to go until the Heptagonal Championships at Cambridge, the Columbia University men’s and women’s track teams went to the Princeton Invitational in New Jersey.
Mon, Feb 21, 2005, 12:00am
On Saturday night, as I sat in my Woodbridge cell listening to Columbia battle Dartmouth on WKCR, I was struck by the number of times I heard the word "finishing." Finishing. It used to be that the Lions were good at that.
Sat, Feb 19, 2005, 12:00am
It’s never easy to win an Ivy League game on the road. Allowing four opposing players to score in double figures doesn’t help.
Fri, Feb 18, 2005, 12:00am
Central Park is drenched, and Christo is ecstatic.
“We love to have rain, because they will look gorgeous with rain,” the artist exclaims.
Fri, Feb 18, 2005, 12:00am
Michael Schorr has a reason to be proud. The German director’s debut feature Schultze Gets the Blues has achieved international box office success while earning well-deserved recognition as a work of art.
Fri, Feb 18, 2005, 12:00am
Cinephilia distorted as a form of pretentious vanity distinguishes itself from a genuine love of cinema in its disregard for the new and experimental.
Fri, Feb 18, 2005, 12:00am
Everyone wants the ideal nuclear family. And while few actually have one, it always seems as if everyone else does. In Imaginary Heroes, the Travis family is the image of perfection until their “flawless” older son Matt (Kip Pardue), an Olympic-caliber swimmer, commits suicide.
Fri, Feb 18, 2005, 12:00am
Rory O’Shea Was Here is a conventional film about unconventional people. Nothing in the direction or writing makes it particularly interesting, but the sheer originality of both the film’s concept and plot make it compelling.
Fri, Feb 18, 2005, 12:00am
Rory O’Shea Was Here is a conventional film about unconventional people. Nothing in the direction or writing makes it particularly interesting, but the sheer originality of both the film’s concept and plot make it compelling.
