Lin-Manuel Miranda revives the Broadway musical through hip-hop and makes a timely commentary on American race issues.
Though it spans nearly five hours, “The Iceman Cometh” is a dynamic play that explores the darker parts of deteriorating friendships.
This Saturday, KCST will produce its 10th annual Egg and Peacock Festival, a playwriting fest in which groups write and perform plays in 24 straight hours.
One of the most anticipated cultural events on campus, the Varsity Show previews promising snippets from some of the musical numbers featured in the 121st edition of the show, coming this May.
The Metropolitan Opera’s take on the staple “Don Giovanni” holds true to the plot and shines the spotlight on dynamic new voices.
FRIGID Festival offers a platform for independent theater creators to display—and profit from—their work.
While not as hyped as their Broadway counterparts, these off-Broadway shows are equally entertaining.
Director Dara Malina, SoA ’15, talks about her upcoming adaptation of Clarice Lispector’s novella, “The Hour of the Star,” and the process of translating words to the stage.
“Nevermore,” a musical loosely based on the life and death of Edgar Allan Poe, is an ambitious undertaking that ultimately falls short.