“Cedars” brings together dance, drums, rap, prose, and texts. “Cedars” is approaching its second and final week of its run at La MaMa Experimental Theatre Club in association with Mirage Theatre Company and Amerinda Inc.
James Ortiz’s play “The Woodsman” uses the body as a tool to explore the Tin Man’s dark, raw origins.
XMAS!9 rekindles the holiday cheer in all of us through song, dance, and murder.
This year’s Latenite explores a wide array of topics in the annual anthology.
The Metropolitan Opera offers an exuberant revival of Wagner’s comic masterpiece “Die Meistersinger von Nürnberg” in a picturesque production by Otto Schenk.
“Merrily We Roll Along” explores the complexities of pursuing one’s goals, and how age and experience influence those goals.
The delight that is “I See You” at The Flea Theater begins with a human overture. Two men pad onto the stage dressed identically in slouchy black shirts, mirroring each other's movements and finishing each other's sentences.
The Met Opera’s production of “The Barber of Seville” dazzles with a blend of comic hijinks and masterful singing.
Bryonn Bain, CC ’95, brings his production “Lyrics From Lockdown” to Miller Theatre on Thursday.
CMTS' "The Drowsy Chaperone" premieres this weekend taking a look at musical theater history.