Film giants including Martin Scorsese, Wes Anderson, and Richard Linklater give their opinion on Hitchcock’s work.
“The Assassin,” a co-production between Taiwan, Hong Kong, and China presents detailed historical reconstruction of ninth-century China’s landscapes, and realistically choreographed fight scenes.
"LOVE" delivers an emotionally-charged look at romantic relationships
The British women’s fight for the right to vote is depicted powerfully by Helena Bonham Carter and Carey Mulligan.
While adept in some aspects, the movie ultimately leaves more to be desired.
93 years’ worth of utter originality is brought into focus in “Iris,” an Albert Maysles documentary devoted to New York style icon Iris Apfel.
Taking place in the picturesque Swiss countryside, “Clouds of Sils Maria” explores the desperation and loneliness of one struggling actress.
Directed by Alex Garland and starring Domhnall Gleeson, Oscar Isaac, and Alicia Vikander, “Ex Machina” manages to bring something new to the conversation of artificial intelligence.
Columbia alum Frédéric Tcheng, director of “Dior and I,” shares insights about his time at Columbia and his filmmaking.
On Monday, April 13, “Selma” was screened at Columbia’s Miller Theatre. Following the movie, influential Columbia affiliates Samuel Roberts, June Cross, Jamal Joseph, Frances Negrón-Muntaner, Patricia Williams, and Suzanne Goldberg discussed public memory, the surveillance state, and the state of collective action today.