“Power Collage” uses art as a means by which to examine social movements.
TASCHEN is putting out its third “Package Design Book,” featuring interesting artworks that have won worldwide prizes.
"OUTLET," which opens at Postcrypt Art Gallery on Friday, looks at the ways in which art has adapted to the digital age.
With her portraits of pregnant woman, Annie Leibovitz has explored the idea of natural fullness more than once. But she abandons this motif in her new photo exhibition at the New-York Historical Society.
Barnard’s Student Government Association is hoping to bring a new dimension to the conversation about sexual assault by hosting “Creating a Safer Space,” a student art exhibition focusing on sexual assault from the artist’s experiences.
Bearden reimagines Homer’s epic to depict the African American journey in “Black Odyssey.”
The first American retrospective of Elaine Sturtevant, TC ’75, opens at MoMA Nov. 9.
“Cubism: The Leonard A. Lauder Collection” showcases the metamorphosis of early Cubism, featuring works by Braque, Gris, Léger, and Picasso.
Postcrypt Gallery’s newest exhibit invites Columbia and Wesleyan students to collaborate on visual and performing art pieces.
James Rieck’s newest collection, on exhibit in the Lyons Wier Gallery through Nov. 8, examines social tensions within the American dream. Inspired by magazine clippings from the late ’60s and early ’70s, Rieck often depicts white, conservative, middle-class subjects.