A few steps from the Clinton-Washington Aves C train stop in Clinton Hill, Brooklyn (a.k.a. Pratt Territory) is an empty brick storefront, unassuming—and almost creepy.
The Wallach Art Gallery’s walls are alive with faces—young, old, bright, obscured.
Graffiti stamps mark the the concrete courtyard ground of the Westbeth Center for the Arts on Bank Street in the West Village, each reading in bold capital letters, “ONE.” The trail concludes at a discrete, garage-like door in a dark corner of the cement quad, where only a small publicity poste
This article is a part of the series Studio Talks, where MFA students are interviewed about their creative process while studying at Columbia.
Wood Auditorium opened its doors on Friday, Oct.
This article is a part of the series Studio Talks, where MFA students will be interviewed about their creative process while studying at Columbia.
To the faculty of the Columbia University School of the Arts (SoA), even Alma Mater looking down upon Low Plaza with a severed head in her left hand is art.
A new exhibit at Rio II Gallery opening Friday aims to give both Columbia students and local residents a new way to engage with the issue of mass incarceration.
These art galleries, either affiliated with New York City universities or independently showcasing student art, focus on up-and-coming and lesser-known artists.
From Broadway legends Rodgers and Hammerstein to poet and playwright Federico García Lorca, Columbia has seen and fostered its fair share of masters of the arts. In this Weekend issue, Spectator spotlights four student artists of different disciplines who are beginning to make a name for themselves in the artistic metropolis that is New York City.